DIGITALNE PLANINE Koliko oštrina motiva utječe na naš dojam o njemu? Digitalne planine napravljene su manirom pointilizma i kompjutorske grafike, tj. u odnosu okruglog i kvadratnog elementa koji tvore slike. Točkica i kvadratić sudjeluju u stvaranju dojma planina i planinskih pejzaža koji su sve precizniji što se naše oči odmiču od motiva. Kako se oči udaljavaju, tako naš mozak sve više kompenzira manjak oštrine, detalja i informacija o samom motivu. Vide li tako i androidi ili se prepuštaju zamućenju motiva koje pada poput mutne zavjese na um i svijet oko nas? Kakve osjećaje bude u nama nesavršeni digitalni planinski pejzaži koji imaju i elemente grešaka po sebi? Gledaju li androidi na digitalne planine kao planine ili nakupinu nepreciznih grešaka? Puno hvala fotografima s Unsplash fotoarhive za inspirativne fotografije. Vladimir Biga DIGITAL MOUNTAINS How much does the sharpness of the motif affect our impression of it? Digital mountains are made in the manner of pointillism and computer graphics, i.e. in the relationship of the round and square elements that make up the images. The dot and the square participate in creating the impression of mountains and mountain landscapes that are more and more precise as our eyes move away from the motif. As the eyes move away, our brain increasingly compensates for the lack of sharpness, detail and information about the motif itself. Do androids see it that way, or do they indulge in the blurring of motifs that fall like a blurred curtain on the mind and the world around us? What are the feelings of imperfect digital mountain landscapes that have elements of error in them? Do androids look at digital mountains as mountains or a cluster of inaccurate errors? Many thanks to photographers from Unsplash photostock for inspirational photos. Vladimir Biga
DP 4
DP 9
DP 13
DP 15
DP 19
DP 21
DP 26
DP 29
DP 31
DP 1
DP 2
DP 3
DP 5
DP 6
DP 7
DP 8
DP 10
DP 11
DP 12
DP 14
DP 16
DP 17
DP 18
DP 20
DP 22
DP 23
DP 24
DP 25
DP 27
DP 28
DP 30
DP 32